Rok wydania: 2015 r.
: Pudełko CD
Język: polski, angielski
Dostępność: aktualnie niedostępny
Although Aram Khachaturian may be one of Armenia’s most famous composers, and certainly the best known of the 20th century, the vast wealth of compositional talent from that country by no means stops with him. This unusual and engrossing release showcases a selection of highly diverse songs by three of his compatriots. Beginning with Romanos Melikian’s Emerald Songs, with their Ravel-like harmonies and colourful modality, it also features the transgressive composer Tigran Mansurian, whose alternative style took inspiration from pop music of the 1960s as well as classical postmodern genres. Moving right through to the present day, the release concludes with works by Artur Avanesov, a young Armenian born in Russia. Keen to avoid stylistic unity, the Feux follets, a work still in progress, comprise a selection of songs with no thread to pull them together, the emphasis – according to the composer – being placed on a collective ‘creative past’.
The multi-talented Avanesov is the pianist as well as one of the featured composers on this release. Together with mezzo soprano Mariam Sarkissian, a highly acclaimed Russian singer based in France, the duo have carefully selected an enchanting and compelling assortment of songs, giving the listener a fascinating insight into Armenia’s rich cultural tapestry.
This year’s commemoration of the Armenian Genocide has drawn attention to the rich cultural heritage of this “hidden” country, with its unique language, script and folklore.
This new recording presents three Armenian composers of three generations.
The song cycle “Emerald Songs” by Romanos Melikyan is written on words by 8 contemporary Armenian poets, in a spicy Ravelian language inspired by Armenian folk music. Mansuryan is of the same generation and blood group of Schnittke, Gubaidulina, Pärt and Kancheli. Young Avanesov’s piano cycle “Feux follets” is in postmodern style, free and associative.
Sung with great intensity and feeling for the idiom by Armenian mezzo soprano Mariam Sarkissian, who recently received an “Orphée d’or” for her CD of vocal works by Tchaikovsky and Cui.
Recorded in Armenia in 2014.
Contains liner notes written by the artists especially for this release.
Contains biographies of the artists.